3,015 works, 150 years of economic thought. Each one summarized and searchable, with cited passages inside.
An invitation to refute a doctrine becomes comic when the speaker declares in advance that no critic can succeed. Felix Kaufmann’s two-stanza song turns economic conviction into a performance of certainty: marginal utility supplies the recurring answer, while Vienna claims privileged access to liberalism’s reasons. The sharper joke concerns values, which the speaker holds at a distance before insisting that thought cannot proceed without them. In Arlene Oost-Zinner’s 2010 English translation, with music by Gustav Pick, readers encounter a compact satire of theoretical allegiance and methodological self-contradiction. Although the title names Mises and Mayer, the lyrics leave their respective positions unassigned; the interest lies in the confident voice and the tensions it cannot quite conceal.
A scientist writes through the night until a methodologist compares his prose to beer foam and dismisses his a priori assumptions. In Felix Kaufmann’s satirical song, scholarly correction becomes mock-tragic catastrophe: the manuscript turns to ashes, taking its author’s sense of purpose with it. Yet the scientist’s increasingly elaborate “knots” of thought leave his own intellectual pretensions exposed. Presented in Arlene Oost-Zinner’s 2010 English translation, with music by Friedrich Silcher and an acknowledged debt to Heinrich Heine, this miniature stages a pointed tension between critical scrutiny and the confidence inquiry requires. Its comedy lies in the disproportion between a methodological rebuke and the ruin it brings.